The atrium wall runs 14 metres with structural columns at irregular centres — the sort of surface where a tiled graphic usually looks obviously tiled.

We surveyed the wall, set the panel divisions to land on the column centres, and adjusted the artwork so the composition breaks where the architecture already breaks. The result reads as five deliberate panels rather than one image awkwardly cut into pieces.

Print is on a low-sheen wall film with a matte laminate, chosen so the atrium glazing does not create glare across the graphic at any point in the day.

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